Education & Inspiration
Education Matters:
Science as a Creative Endeavour
Incorporating the arts into science curricula promotes deeper relationships with the natural world.
By Brian Kruse
ESO/VPHAS+ team; Cambridge Astronomical Survey Unit
This image of supernova remnant 30 Doradus B combines observations captured in visible light (in orange and cyan), in X-ray radiation (in purple), and in infrared radiation (in red), to create this representation our eyes could not see.
[X-ray: NASA/CXC/Penn State Univ./L. Townsley et al.; Optical: NASA/STScI/HST; Infrared: NASA/JPL/CalTech/SST; Image Processing: NASA/CXC/SAO/J. Schmidt, N. Wolk, K. Arcand]
A common theme connecting many of these Education Matters columns is that of learners experiencing, investigating, and making evidence-based explanations of natural phenomena. For the most part they are following the footsteps of all the scientists and learners who came before them, redefining for themselves the models used to explain the natural world. What was it like for those early humans who had no previous guide for their explanations? How did they know how to respond to the world they were intimately a part of? Their attempts to create meaning formed the basis for the myths, which eventually became the religions, which eventually gave rise to the sciences we now use to explore that same world. Early humans’ awe resulting from their interactions and observations of nature provoked a response, which, lacking a scientific methodology, took the form of art and other subjective and emotional expression.
Educational practices reenact these initial wonderments through the use of experiences designed to elicit questioning, which leads to exploring and meaning-making. So we introduce provocations, discrepant events, anticipatory sets, anchoring phenomena, all in an effort to prepare students for deep engagement with natural phenomena. Then we take them down the road of science, where objective facts hold sway, setting aside the subjective experience that elicited a response in the first place, requiring students to demonstrate proficiency in reciting facts and creating models to assess their progress.
In assessing the understanding of the whole learner, it makes as much sense to ask them to respond to their subjective experience through a more subjective medium — perhaps art, poetry, or music. Many times the initial fascination a scientist has when encountering something new is lost when the hard science is imposed. In my own practice as a classroom educator, I frequently asked students to respond to a phenomenon such as an eclipse in a manner of their choosing, and not just through a detailed description of their observations. I placed a premium on students’ abilities to access their affective realm, responding in a way to help them develop a deeper relationship with the natural world. For many students this took the form of a story, a poem, a drawing, a painting, or a journal entry including their feelings about the experience.
The sciences may explain how the universe works, however it is the arts that define our relationship with it.
NASA/ESA/STScI
During the July 2, 2019, total solar eclipse visible from La Silla Observatory in Chile, astronomers captured the solar corona's polarized light.
[ESA/CESAR]
Following a more subjective path creates a relationship between the learner and nature as expressed through a phenomenon. The intimacy of such a relationship may then help the shift away from seeing our interaction with nature as primarily transactional. Seeing ourselves as a part of, rather than apart from, the natural world would potentially create a deeper appreciation of our surroundings, with implications for understanding some of the factors responsible for the sustainability of societies and cultures.
The sciences may explain how the universe works, however it is the arts that define our relationship with it. Both areas are efforts to respond to and understand the universe in which we find ourselves embedded. The incorporation of an arts component into science curricula is essential in promoting deeper meaning through relationship.
Current curricular standards make mention of science as a creative endeavor, however they don't adequately define the human experience. Nor should they. Many science educators recognize this, and have included an arts component, so STEM becomes STEAM.The human experience is, well, subjective, and highly personal, and we all react differently to the stimuli we are exposed to.
BRIAN KRUSE manages the formal education programs at the Astronomical Society of the Pacific.
The protagonist in the book and movie Contact, radio astronomer Ellie Arroway, knew this in a visceral sense: “They should have sent a poet.” When confronted with wondrous beauty she had no scientific words, and wished for a poet to help interpret her experience. ✰
(Published March 13, 2024)
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